^^Bach, Johann Sebastian  1685-1750

wp

Bach, Toccata e fuga in Re minore. Toccata and Fugue in D minor BWV 565

se si guarda con continuita' l'animazione, al termine, la visione dell'ambiente rimane alterata da un falso senso di moto; puo' dare leggera nausea, tutto passa affievolendosi in una decina di secondi.

  1. https://www.youtube.com/watch?v=ipzR9bhei_o
    animazione orizzontale.
    La musica non e' dal vivo, bensi' un file midi di ottima fattura, forse riconoscibile dal fatto che non ho riscontrato neanche una piccola svisatura di tempo e di ingresso nella nota, ma l'espressività e' umana. Cio' richiede un lavoro certosino di aggiustamento del file midi, non e' la semplice traduzione automatica dello spartito. Si puo' sentire la differenza con un altro midi, sempre di buona qualità, ma piu' meccanico.
    smalin  musanim.com  canale
  2. https://www.youtube.com/watch?v=9RDkHP4PWIo
    Organ Tutorial (Synthesia) meccanica, bella nella sua inesorabilta'
  3. https://www.youtube.com/watch?v=erXG9vnN-GI

    Liene Andreta Kalnciema live at Riga Cathedral.

    1. Keep in mind that the action of the keys are much more pronounced than what you see on more "modern" organs. It takes extra concentration to push the keys down just a bit further to get the sound. If you notice on the close ups, there's even a bit of a bounce with the keys when they reset, which will feel different. Each nuance makes a difference. Every organ has it's own personality in aesthetics, action, and sound. Magnificent.
    2. Il suono registrato in chiesa ha il riverbero ambientale, il suono midi no (se non volutamente generato).
      Le diverse tastiere suonano voci diverse (timbri); sono programmabili per suonare contemporaneamente all'unisono o con un fissato intervallo.
  4. yt XAVER VARNUS PLAYS BACH'S TOCCATA & FUGUE IN THE BERLINER DOM
  5. >> 3 mani, tastiera che si illumina. Il timbro e l'equilibrio di volume tra le voci, e' il piu' simile a quello che ho potuto ascoltare dal vivo (3 o 4 volte).
  6. >> piu' lenta, grave di volume alto che sembra di corda
  7. yt played on a piano instead of a pipe organ.

  8. Bach, fughe

  9. Bach, Prelude and Fugue in D minor ('Dorian'), BWV 538 smalin
  10. Bach, "Little" Fugue in G minor, Organ
  11. Fantasie (Praeludium) und Fuge G-Moll "Great" - BWV 542 - J.S.Bach - Synthesia
  12. Bach, "Great" Fugue in G minor, BWV 542 smalin
  13. Präludium und Fuge A-moll - BWV 543 - J.S.Bach - Synthesia
  14. Bach, Fugue in A Minor, organ (BWV 543) smalin
  15. Bach, Fugue in A minor, BWV 904
  16. >> Die Kunst der Fuge BWV 1080 - Sato | Netherlands Bach Society

  17. yt  Chaconne (Ciaccona) in D minor, Partita No. 2 BWV 1004 | Hilary Hahn, in originale per violino, 1997

    Altri violini per confronto

    1. yt bach chaconne - sayaka shoji 2013
      1. yt J.S.Bach Partita no.2 BWV1004 - Sayaka Shoji
    2. https://www.youtube.com/watch?v=vRkh2ZrBHI8   ONATHAN SCOTT - ORGAN OF ECHTERNACH BASILICA - LUXEMBOURG
    3. https://www.youtube.com/watch?v=2Y1vJYUokbc  2 cellos
    4. https://www.youtube.com/watch?v=maDgVXxV1b0  contrabbasso  Florentin Ginot
    5. https://www.youtube.com/watch?v=_Gi8De8d-Zw  xilofono
    6. https://www.youtube.com/watch?v=NEUYq5t-cCM  Stokowski. Chaconne (1950)  orchestra
      Greatness! and tragedy - almost unbearable! Bach wrote this work shortly after returning home from a journey - only to find, that his young, healthy, pregnant wife and their expected child had both died.
    7. https://www.youtube.com/watch?v=_Ne6IV5KiMY Seiji Ozawa - SAITO-KINEN Chaconne
      1. When Ozawa talks about Prof.Saito we see almost always tears of gratitude in his eyes. I heard an episode of Ozawa in TV long before. Prof.Saito was so strict with his students that Ozawa once ran away in terror at full speed from the lesson in Prof.Saito's house without putting on his shoes. We see how scared Ozawa was.
        Saito-Kinen means Saito-memorial.
      2. The orchestration by Hideo Saito is a nice one. Others who have orchestrated Bach's Chaconne are : Leopold Stokowski (of course), Joachim Raff, Alfredo Casella, A. Walter Kramer, Jeno Hubay, Maximilian Steinberg, Pavel Rivilis, Natan Rakhlin......
      3. This is an orchestration of Ferruccio Busoni's piano transcription of Bach's original piece. Is an interpretation of an interpretation (with which I have no problem whatsoever). I play and love the Busoni transcription, which is a masterful feat of musical re-engineering. The piano transcription is so masterful that you can't help but to hear an orchestra. To see it actually orchestrated is amazingly refreshing. I would have fleshed out some parts, here and there, to make it sound bigger, but hey!, is amazing as it is. Thank you for posting it!
      4. Fantastic! I thought the orchestra version from Stokowski was the ultimate version, but this is at least as good as that one! Thank you so much!
    8. https://www.youtube.com/watch?v=TxoApYOGe6c  cello
    9. https://www.youtube.com/watch?v=LAzSp_qBr-Q  cello Rustam Komachkov
      1. Bach - Komm, süsser Tod, komm selge Ruh! BWV 478
                  Come, sweet death, come, blessed rest
                  wp/Komm,_süßer_Tod,_komm_selge_Ruh
        1. yt   - Daniels | Netherlands Bach Society
        2. yt  Virgil Fox  Wanamaker Organ

          "Come sweetest Death, Come blessed rest, take my hand and gently lead me on.' - Virgil Fox

          yt  Virgil Fox-Boston

  18. Bach

  19. https://www.bachvereniging.nl/en/bwv/bwv-232
  20. wp/Prelude_and_Fugue_in_C_major,_BWV_846
  21. https://www.youtube.com/watch?v=LPI8lddyC74 The Evolution of Bach's Music (From 10 to 65 Years Old)
  22. 46 Years Old: Air on the G String - Orchestral Suite No. 3 in D Major, BWV 1068, No. 2, 1731
  23. 61 Years Old: Die Kunst der Fuge (The Art of the Fugue), BWV 1080, Contrapunctus I, 1746