^^Musica classica. Elenco.

when Mendelssohn was told that music is too vague to be represented by musical notation, He replied, on the contrary, that music is too precise every to be captured by notation.

1-2-2023 yt The Impossible Virtuosity of Yuja Wang

https://www.youtube.com/watch?v=yj93v9j2A4A The Greatest Solo of All Time

Patricia Petibon - Les Oiseaux dans la Charmille (Offenbach)

https://www.youtube.com/watch?v=yw6pTojFjmw

https://www.youtube.com/watch?v=MWzeHjy3Ll0

yt Vivaldi estate. This video broke Tiktok (+20 M views in 2 days)

Strumenti

Mandolino

https://www.google.com/search?q=giuseppe+anedda

wp/Giuseppe_Anedda

yt Omaggio al mandolinista GIUSEPPE ANEDDA

yt Giovanbattista Gervasio sonata in Re maggiore, Giuseppe Anedda Mandolino

Direttori

1. Kubelik

   1. yt Kubelik: Dvorak - Symphony No. 9 "From the New World"

2. Seiji Ozawa

   1. yt Bach - Air from Orchestral Suite no. 3 BWV 1068 - Seiji Ozawa - NHK Symphony Orchestra
   2. yt Seiji Ozawa conducts Berlioz's "Symphonie Fantastique" at Tanglewood in 2002
   3. vedi la "Ciaccona" di Bach da lui diretta >>>

Compositori-Autori

1. Beethoven

2. yt 12 Levels of Beethoven: Easy to Impossible

1. >> Antonino Buschiazzo performs his organ transcription from Hans Zimmer's soundtrack for INTERSTELLAR
2. Yuja Wang: Gershwin Rhapsody in Blue
   Dressed to thrill and dressed to kill, she is classic, what a pianist
3. Alicia Keys performing Beethoven's "Moonlight Sonata" in honor of Kobe Bryant
   wp/1981�1993: Early life mi ha emozionato
5. Recuerdos de la Alhambra - Ana Vidovicp>
6. Recuerdos de la Alhambra - Francisco T�rrega - PIANO SOLO P. Barton
7.  
8. October 15, 2020 Elisabeth Brauss at Wigmore Hall
9. les-chemins-de-lamour

10. Chopen Preludi

11. Rubinstein
12. Pollini Maurizio
13. Eric Lu
14. Martha Argerich
15. https://www.youtube.com/watch?v=dTOEG0jt3LQ
17. Fr�d�ric Chopin - 14 Waltzes (Rubinstein)

18. Mussorgsky

19. yt Mussorgsky: Pictures at an exhibition ( Full ) - BPO / Karajan on top form. 2013. With the original survived pictures of Hartmann. The newer pictures are from Ed Wennink, Netherlands.
    • https://www.youtube.com/watch?v=S-At9tWyrLs&lc=UgzgcVL8MkJgQQFqyR54AaABAg
      Originally Mussorgsky had composed this famous cycle for the solo piano in 1874.

      Maurice Ravel orchestrated it about half a century later. This is the version we can hear here.

      Several other composers have tried their own orchestrations, but Ravel's version is widely considered the most brilliant one and the most popular one today.

      However, Vladimir Ashkenazy for instance in an interview prefered the much lesser known orchestration by the equally lesser known Finnish conductor and composer of Slovenic origin, Leo Funtek. Some recordings of that version are here on youtube !
      ( Ashkenazy also did his own orchestration, which he recorded with the Philharmonia Orchestra London in 1983. )

      Ashkenazy considered Ravel's orchestration a bit "too polished" and therefore lacking the rawness of Mussorgsky's original, to some extent at least, though he still called it absolutely brilliant and masterfully done.
      But it was simply too perfect in his opinion.
      He also critizised some liberties Ravel had allowed himself by slightly changing the score, adding or dropping some notes here and there.
      He had also dropped the entire fifth promenade.

      And regardless of the best efforts of brilliant orchestra arrangers like Ravel or Funtek, Ashenazy regarded Mussorgsky's original for solo piano as still the best and most persuasive version, because it would have its own, rich and unique colorfulness, that simply cannot be fully translated in an orchestration.

    • https://www.youtube.com/watch?v=S-At9tWyrLs&lc=UgxSjnKnc9hFZxUNSDl4AaABAg.9sHUaf1D3QM9w7Avppq6IB
      I still prefer the 1967 CSO recording with Seiji Ozawa. That Chicago Brass section led by Bud played so well together. Unison entrances, phrasing, balance and tone. It was as if one person playing a Brass stop on an organ. Heard them in person in LA rehearsing Wagner and was blown away by their Ensemble uniformity. Never an early entrance such as here before Great Gate. Go back and listen for it, you can't miss it. Also, even though Seiji studied under Herbert, I like Ozawa's interpretation of this piece better. His tempos, his attention to tone color differences between the antiphonal passages within the Brass in Great Gate, not to mention his use of the break transitioning from Hut into Great Gate. His unique interpretation of the phrasing of the Horns in Great Gate is actually written like that in the score. You hardly ever hear it played as written anywhere else. I love hearing those inner voices and phrasing.

    yt Pictures At An Exhibition (Seiji Ozawa)

20. Shumann

21. https://www.raiplay.it/video/2021/07/Grandi-Direttori-dOrchestra---Riccardo-f7c76e5e-af65-40a6-8712-2687279730b8.html

Vivaldi Sinfonia Juditha triumphans "I solisti veneti"

Religiosa

gratias agimus tibi, domine, pro donis ac beneficiis tui.

grazie rendiamo a te, signore, per i doni e benefici tuoi

Ti ringraziamo, o padrone, per i tuoi doni e benefici.

Ti rendiamo grazia, o signore, per i tuoi doni e benefici.

yt Bach - Messe in h-moll BWV 232 - Gratias agimus tibi

Gratias agimus tibi propter magnam gloriam tuam.
We give you thanks, we praise you for your glory.

yt Bach - Messe in h-moll BWV 232 - Crucifixus

yt Bach - Messe in h-moll BWV 232 - Osanna in excelsis

yt Bach - Messe in h-moll BWV 232 - Gloria, Et in terra pax

yt GLORIA Vivaldi, 4-5 Gratias agimus tibi propter magnam gloriam tuam. Coro Millennium Ft. CFE

Adeste fideles >>>

yt Hildegard von Bingen - Canticles Of Ecstasy

wp/Canticles_of_Ecstasy | Hildegard-Lyrics.pdf

yt Mahamrityunjaya Mantra - Sacred Sound Choir - Ancient Chant For Healing & Peace

stabat mater wp

yt Giovanni Battista Pergolesi - Stabat Mater (Abbado 1979)